Related Paintings of unknow artist :. | Edward Seymour | Writer, from Sakkara, Egpte | Still life floral, all kinds of reality flowers oil painting 254 | Seascape, boats, ships and warships.135 | Oil on canvas painting of Angelo Maria Quirini, executed by Bartolomeo Nazari |
Related Artists:
VOS, Paul de
Flemish Baroque Era Painter, ca.1591-1678 was a Flemish Baroque painter. De Vos was born in Hulst near Antwerp, now in the Dutch province of Zeeland. Like his older brother Cornelis and younger brother Jan, he studied under the little-known painter David Remeeus (1559?C1626). He specialized in monumental animal scenes, especially hunts for aristocratic patrons, that are heavily influenced by Frans Snyders (to whom his sister Margaretha was married). De Vos became a master and joined the guild of St. Luke in 1620. As was frequent amongst artists in Antwerp, De Vos frequently collaborated with other painters. He painted animals in hunting scenes and armor in mythologies by Peter Paul Rubens and his studio.
FLINCK, Govert Teunisz.
Dutch painter (b. 1615, Kleve, d. 1660, Amsterdam).
Jean-Martial Fredou
Jean-Martial Fredou (28 January 1710 e 1795) was a French painter known for his portraits. Born at Fontenay-Saint-Pere, Fredou was attached to the Cabinet du Roi housed in the Hôtel de la Surintendance at Versailles, where he was commissioned to render duplicates of official portraits of the French royal family painted by Jean-Marc Nattier, Maurice Quentin de La Tour, Louis-Michel Van Loo, Alexander Roslin or Joseph Siffred Duplessis. In his own commissions he often borrowed elements from the original works of these painters, for he was a deft portraitist himself. Between 1760 and 1762 the dauphine Marie-Josephe de Saxe, daughter-in-law of Louis XV commissioned informal portraits of herself and her children, for her own use. These portraits, whether in oil or drawn aux trois crayons, touched with pastels, have freshness and life. A modest commission came from the Dauphin and Dauphine in 1757: in 1748 they had earth brought in to the little courtyard of their private apartments at the château de Versailles, closed in with trelliswork, to make a little garden; and Fredou was commissiomed to paint two perspective panels to enlarge the little space.[1] Fredou was never made a member of the Academie Royale de Peinture et de Sculpture, but he was made First Painter to the comte de Provence in 1776 upon the death of François-Hubert Drouais.